Light Chaser-2

Because I’m more of a “night-owl” it’s somewhat easier for me to take photos towards the end of the day. Actually, the later part of a day is when my brain starts to ramp up. Most of my images are serendipitous, which by the way is, how a lot of photographs become interesting.

The space between me and the street below stands 25 floors. All the views I see are through a thick piece of window glass. None of our windows open, not even a crack. That’s a good thing because if these large windows were to open, I suspect we would see more bugs and some birds in our work space.

Dealing with glass not quite crystal clear and uniform is far better than trying to deal with insects and pigeons…well, for me anyway.

 

Seeking Selectivity

There’s an ageless argument in photography involving 2 camps, one staunchly defending B&W as “more real” than color images, and of course vice-versa.  Who’s right? Or wrong?

My take on this may seem like a cop-out, but choosing one over the other because it’s “more real” doesn’t resonate with me. The interpretation of any photograph is highly personal, so regardless of an image presented in B&W or color–or combinations of both–what you feel makes the image real.

Some days, I see and feel things that tell me to shoot B&W. Similarly, it goes the other direction where my sensitivities lean to color, even one particular color.

Yet these images can confound the entire argument because of my resolute commitment to personally see or find things that prompts a connection. Are these photographs less real because of my choice in isolating or selecting an object, shape, color or theme?

Salutations

Je sais que le printemps est là quand l’arbre Redbud est en fleurs. Et quand la lumière du matin est bonne, la journée vous accueille avec des sentiments positifs.

 

Quand le soleil brise l’horizon, les couleurs changent, mais les sentiments positifs demeurent. Si je ressens une journée difficile, je me souviens de cet arbre en fleurs.
Il a été planté il y a des années après la mort de ma mère. C’est elle arbre et c’est magnifique.

Spring

I saw this “owl” atop one of the office buildings downtown. Steadfast in her duty, she’s a stoic deterrent from pigeons whom would decorate ledges and windows and screens and cars parallel parked on the street below.

After a long winter, anything that hints of spring is fair game. Just about anything.

Now, this is bright…this is spring…this is what many look forward to…

A Touch of Spring

Pour ceux qui sont fatigués de l’hiver, laissez-moi partager avec vous un aperçu du printemps.

Chaque printemps, Smith College ouvre la porte de leurs maisons vertes. Pour un petit don, vous pouvez vous perdre dans la chaleur, la couleur et la promesse de la météo à venir.

La patience est nécessaire car les week-ends sont toujours occupés avec les visiteurs, proches et lointains.

 

 

 

The [early] Morning After

In less than a week, the northeast USA got hit with another storm. While many are so tired of winter, many more are really done with snow and the cold and wanting spring to arrive. Now.

With close to 10 inches [25 cm] of wet, heavy, snow falling overnight, the next morning did not disappoint for people like me.

With nothing but stillness and silence all around me this morning, I thought of Dan Gurney, an incredible achiever by any standard, who said something to the effect of, “If you see something and can make it beautiful, but choose not to, what does that say about you?”

 

Stress

I suppose someone helped a vine or tree limb grow like a corkscrew. On the other hand, maybe this is a message from Mother Nature and she’s telling us of the stress we’re subjecting her to.

This image shows part of a very large oak limb horizontally spanning about 30-feet [9-meters]. Growing straight up from this limb is a host of small branches that look a lot like saplings. Usually I see such saplings on the forest floor, but this is the first time I’ve seen them emerging from a limb.

I’m not an arborist, so just maybe this is all part of a seasonal norm…

Tanglewood

I have been to this place many times before, but not in winter. It’s called Tanglewood, the summer home of the Boston Symphony Orchestra. To walk the grounds void of flora, visitors and the orchestral sounds of a storied symphony is not only cathartic, but prone to nostalgia.

When you’ve visited a place numerous times, memories can fill many empty spaces. On a summer Sunday afternoon during the season, it’s not an uncommon quest to find a suitable open space on the lawns. But, you do find a spot, spread out your blanket, set-up your food and beverages and soak up the sun and air, all while music literally spans the grounds.

 

 

 

An Enduring Perspective

Vertical dimensions and shapes provide seminal perspectives. The Bay of Fundy is such a place to feel them. It claims to have the highest tidal range on the planet, on average rising and falling 56 feet [17 meters], twice a day.

While the tides run relatively constant, the power of moving water creates an impermanence to the landscape. The land changes albeit slowly. And of course, we physically change too, though on a timeline far shorter than these “monuments.” These amazing structures will outlast me, which is to say they’ll still deliver an enduring perspective to others who might be standing on the very spots when I took these photos.

 

 

Beautiful Cold

It’s not difficult to dislike the brutal cold [7F with -10 windchill]. In spite of that, I find a quality that transcends visual beauty.

The cold makes things hold fast. It’s a natural form of “stop-motion” for inanimate objects. And a few animated ones as well vis-a-vis, birds stoically perched in a tangle of shrubs enduring both the cold and the wind.

For a brief instance—and I mean brief—I’m part of the landscape with camera in hand. The cold forces me to hunker down, to pull tighter the collar of my jacket, the hat on my head, the gloves that now feel powerless to the temperature as my fingers start to numb.

Winter is a beautiful time of year for me.