The Pen is More Personal…

A few of us have been [hand] writing for as long as we can remember. More specifically, letters, postcards and greeting cards. Conceit aside, I’m one of those anachronisms [I use fountain pens & bottled ink] and I enjoy writing in all its archaic forms.

Because of the pandemic, there’s a renewed interest in writing, whether a letter, in a journal, even on a page or two of plain paper. I find it all encouraging as voiced in this recent article in The Critic. Writing a letter isn’t what it used to be, but a few of us still find satisfaction in such a personal construct of thought and emotion. A part of me is contained therein. Some days, the pen skims across the paper and other times, it’s hard to get out the first sentence or two.

Decades from now, no one will need an app to read its content. Sentimental as it is, perhaps some of my family and friends will keep them in a shoe box of sorts. Each envelope containing a capsule of time and place.

A journal can capture and hold—albeit brief—a particular sentiment, an observation, an epiphany perhaps more. And like letters, there is an enduring permanence to what’s put into and left on the paper. In a recent [April 13, 2021] issue of the Wall Street Journal, staff writer Ellen Byron wrote, “How Journaling Can Help You Live Your Best Life.” The Byron article reads more like a primer on the hows and whys of writing and using a journal.

Journal writing is cathartic and offers a number of ways to express practically anything. I write to an alter-ego, directly to myself and at times even address myself in the third person. When I move myself from the “I” to “he,” the dynamic changes. Writing in the third person creates a buffer of sorts, a moat if you will which separates the person in the moment from the person that offers perspective.

A large part of the catharsis revolves around time slowing to a less frenetic cadence. The efficiency or speed of the digital realm fosters an expectation of click-it-now, get-it-now. Letters and journals are the antithesis of such expectations.

Go ahead. Take a pen and some paper and write something, anything, that comes to mind. What matters is you’ve made a decision to place part of yourself right in front of you.

Fade-free nostalgia…

What is it about nostalgia that some of us cannot jettison? A valid concern is that the yearning makes a mess of being-in-the-moment.  That same yearning can deny future possibilities when it turns to ruminating.  For some, nostalgia can magnify preoccupation.  Not good.

Kodachrome~Epson Scanner

Yet there are fragments of nostalgia that remain fade-free. Like writing/journaling and photography, riding a sport bike can be solitary, well, a choice by many, including myself. Certainly some of my own experience aboard two wheels can be marked as memorable [and mostly positive].

Kodachrome~Epson Scanner

As is fitting this time of year, nostalgia tends to swell, though more specifically with auld lang syne, those days of fond remembrance, of days spent from far-off times or even those more recent. It matters none because an experience that generates a fondness or even a light-hearted sense of joy is timeless. The decades can sometimes feel “like only yesterday.”

The distinction I’m trying to make is that auld lang syne speaks of a heart-felt time devoid of regret and rumination. Isn’t that what probes our memory at year’s end?  What have we forgotten? Whom have we forgotten?

My school of thought is that these fade-free capsules of nostalgia are not containers of events that could’ve or should’ve been. No, auld lang syne is more about preserving good things which matter: lessons learned, people who’ve made a difference, the unconditional, enduring quality of gratitude and love.

Before I make a mess of this post, I’ll let the poet Robert Burns weigh in. He’s the Scot who made this poem, this inimitable song, about as timeless as anything found in life. Click here.