Strength Revealed

The primary entrance ramp to our office garage is undergoing a major rebuild. I spoke with one of the engineers who told me the short version of what needs to be done. What amazed me most was not the materials being used [steel], but the forces impressed on each steel structure to make sure everything stays in place.

The “L” brackets look like overgrown shelf brackets. They’re attached to  the side of the building with bolts that run through to the other side.

The top part of each cantilever [the “L” bracket] is also bolted to a length of I-beam steel. The beams look like tracks with missing sections; nothing though is missing here on the inside of that ramp wall. In engineer-speak, “form follows function.”

The panels that are the ramps are also big and heavy. Very heavy. One of the challenges is where and how to position a crane to offload a panel. Parts of the street are suspect because of storage rooms and passages lying beneath. The weight of the crane, the truck and equipment can very well “drop” into a hole of its own making.

An anchor point for the ramp…

Left vs Right Bank

 

La Rive Gauche [a left bank of the CT River].
La Rive Droite [a right bank].
Yes, all rivers have a right and left bank.  Some of the most famous of river banks can be found in Paris: the Seine.

The banks of the  Connecticut River doesn’t have the inimitable splendor of its cousin in France. However, both waterways are remarkable for a myriad of reasons, some similar; but I suspect the majority of those things remarkable are marked by differences in history and appeal.

Vive la différence!

Salutations

Je sais que le printemps est là quand l’arbre Redbud est en fleurs. Et quand la lumière du matin est bonne, la journée vous accueille avec des sentiments positifs.

 

Quand le soleil brise l’horizon, les couleurs changent, mais les sentiments positifs demeurent. Si je ressens une journée difficile, je me souviens de cet arbre en fleurs.
Il a été planté il y a des années après la mort de ma mère. C’est elle arbre et c’est magnifique.

Spring

I saw this “owl” atop one of the office buildings downtown. Steadfast in her duty, she’s a stoic deterrent from pigeons whom would decorate ledges and windows and screens and cars parallel parked on the street below.

After a long winter, anything that hints of spring is fair game. Just about anything.

Now, this is bright…this is spring…this is what many look forward to…

Across the Crossing

Personal photography, the kind that takes you out and about, is often a solitary process. For many photographers that’s often the case. The image above is one of my [new] favorites in the category of “street photography.” For me it’s more accurate to call it “wandering photography.”

I typically have no mission or subject matter in mind. I essentially chase the light regardless of whether it’s on a city street or a country road.

Light, texture and shadow tug on me, asking me to stop and consider the possibility just before I press the shutter. You may not see what I see when I come across a play between light and textures. However, what you see and feel matters just as much.

The Artistic Power of Self-Awareness

Dr. Stephen William Hawking was an amazing human being for many reasons. His recent death made me think that the realm of possibilities in life are practically endless. He was proof positive that we should diss “dis-” in disability. We all have abilities in one form or another. I recently attended a gallery opening for CATA [Community Access to the Arts].  Through an innovation known as Art Realization Technologies [see image below], people with physical disabilities get to express their artistic abilities.

So then, here on canvas, each one attributed to a person, is their artistic awareness of their individual sentience. Expressive. Personal and self-aware. Fragile. Powerful. Confident, each canvas like the artist, one of a kind.

Artist David Gardner with Red Bird, acrylic on canvas.
Artist Julie Raymond with Untitled 2011, acrylic on canvas.
Artist Carol Neuhaus with Outside the Box 2016, acrylic on canvas.
Artist Myles Tosk with Untitled 2008, acrylic on canvas.

CATA founder Sandra Newman [L] with Carol Neuhaus and Carol’s art trainer.
Yes, every piece is for sale and the artists along with CATA benefit from the sales.

 

 

A Touch of Spring

Pour ceux qui sont fatigués de l’hiver, laissez-moi partager avec vous un aperçu du printemps.

Chaque printemps, Smith College ouvre la porte de leurs maisons vertes. Pour un petit don, vous pouvez vous perdre dans la chaleur, la couleur et la promesse de la météo à venir.

La patience est nécessaire car les week-ends sont toujours occupés avec les visiteurs, proches et lointains.

 

 

 

“It’s Hip to be Square”

With respect to Huey Lewis and the News for their song of the same title—and to rebels, romantics and nonconformists of my generation—photographers have long known of the practical beauty of a square image. It’s symmetrical and requires no effort to turn a camera to a vertical position, then back again to horizontal.

The square is neither in landscape nor portrait mode. It just is.

Innocuous

Photography and writing—as in life—consists of details small and large. When I tote my camera, I’m alert to details that shape the so called “big picture.”  It’s easy to get caught up in the bigger items [buildings, cars, trees, signage, e.g.] while things far smaller [cracks in the sidewalk, flowers, bird on a wire, e.g.] are thought of as incidentals to the place and moment I’m in.

But now and then, I tell myself to pay attention to details that are inconspicuous as well as innocuous. Such details remind me that in my own life, bigger, faster, more costly, etc. is not always better…