Photography – Page 3 – Carlo Centeno

Bare Trees

The changing seasons has a way of rebooting my perspectives on life’s moving parts. It’s also an opportunity for me to find, even create, connections that could lead me to alternate choices about work and family, problems and challenges, as well as my own professional and personal goals. The fall suggests possibilities with a palette of colors where each one suggests a sentiment to whatever I’m feeling or thinking. More often than not, I make one, perhaps 2 attachments of color to an idea, an attitude, or even a condition that’s been entrenched in a mood of some sort which I cannot correlate or let go of.
However, when the maples, birch, oaks and other trees reveal their once covered limbs, I see a “wireframe” ready for a season of open air, of white space and a period of quiet and rest. Once again, it’s a reboot of sorts given the visual clues of autumn.

From a distance these bare trees take on an innocuous albeit familiar appearance. You realize that these wireframes silhouetted against a grey forest floor or an overcast sky has the potential to stimulate your way of visualizing beyond the obvious and the rote. Late fall and bare trees are midwives to modified or new byways to thinking and feeling.

Such possibilities make bare trees special. True, this past autumn the colors were fantastic, vibrant, even spectacular, more so than years past as far as I can tell. That festival of color has its own cathartic energy. Compared to just a few weeks ago, these now dormant, quiet trees are a type of dopamine, a suitable follow-on for my busy “monkey-mind.” There’s a levity and sense of calm with bare trees that’s akin to starting anew and refreshed.
The trees are steadfast and immobile and yet there’s a fluid-like form that draws your attention. And because you can see between the branches, openings of various shapes and dimensions become apparent. That white space becomes a cocoon for imagination and emotion, of things improbable that feel possible if only in theoretical form. What can you jettison from your mind into those spaces now in front of you? There are things each of us can let go of.

Many of the trees are straight up and down although the oaks and maples have a grace manifested by the sweeping reach of higher branches. The silhouette of these branches appear as arms with a soft curve, its ends like fingers gently reaching for the sky.

Late fall and bare trees are markers of change. In its most obvious forms, it means shorter days, cooler temperatures, fantastic light and shadow and a time change. The latter is likely the least wanted change this time of year. And yet the markers also remind us that still more change is to come. Some welcome winter [like me] and others can’t wait for spring.
In a personal way bare trees are anthropomorphic. They go through cycles of change just as we do with our life stages. And as in life, some of the bare trees will remain so in the months ahead. Just as some of us will, our own thoughts and feelings leaving our physical selves.
Bare trees can mirror our own life qualities season to season. Or maybe it’s the other way around; after all, trees have long existed before we arrived.

Berkshire 25

The most dedicated, most creative, most influential.

It’s fair to say that the Berkshires has a depth of culture, arts, eateries, education, health care, outdoor activities, community outreach and more, that can be as strong as other like-minded communities.
The diversity of such offerings is all-encompassing and that’s clearly reflected in this year’s Berkshire 25. This is Berkshire Magazine’s annual selection of 25 individuals who have made life here feel more special, complete and worthwhile. That may seem like an exaggeration, but that’s due to the contributions from folks like the Berkshire 25 that make the region “the most beautiful place to live.”

Joshua Sherman, MD CEO+Publisher of *Berkshire Magazine* welcomes honorees, guests, patrons & friends.

Examine the roster of recipients. Their talents, soft skills, areas of expertise and so forth are as varied and diverse as the individuals themselves.

Honoree Ms. Laura Brennan [L] with editor-in-chief, Ms. Anastasia Stanmeyer

Ms. Maud Mandel, PhD, president of Williams College [below], graciously opened her home to host the event.

Honorees on the couch: L-R, Mr. Jack Brown; Marge & Ed Bride

Rep. Smitty Pignatelli, an engaging & entertaining MC.

The cynics among us may feel that such occasions are self-serving, each designed to stroke egos or expand bragging rights. You can think that, but I believe no one that evening felt that notion at all.
At the conclusion of the event, Rep. Pignatelli mentioned that these individuals represent the best of what people can do, that such care and outreach nurtures the magnetic vitality of the Berkshires. Lightheartedly, he added that politicians like to think that they drive a lot of what’s positive. However, he quickly reinforced that a lot of what makes a community/region attractive and inviting has to do with the very people who understand what it means to be selfless.

WIT: Words, Ideas and Thinkers.

The inaugural 3-day, WIT Festival recently finished here in the Berkshires. Authors, journalists, novelists and playwrights gathered to engage participants in this year’s theme, Reimagining America. This was an opportunity to broaden one’s understanding of critical issues and concerns coursing through our current–and varied– socioeconomic and political points-of-view.
The festival is the brainchild of The Authors Guild Foundation, the largest organization of its kind in the USA that “educates, supports and protects American writers across the country.” It’s been noted that the Authors Guild Foundation is “the sole group of its kind dedicated to empowering all U.S. authors.”

*Ms. Lynn Boulger, executive director of the Authors Guild Foundation, welcoming authors, attendees, patrons and friends.*

Berkshire County lies in western Massachusetts. Its rectangular shape stretches north-south with New York state at its west border, Connecticut to the south, Vermont to the north and to the east it borders with Hampden, Hampshire and Franklin counties. For many, the Berkshires is more than a destination: it’s a way of life.

*Dan Brown*, author of best-selling novels The Da Vinci Code and Angels & Demons.

Presentations/discussions took place at Shakespeare & Company in Lenox. For the most part, the 3-day festival sold out, however a roster of those wanting to attend were placed on a list just in case of cancellations. I did not hear of any registrants calling to back out.

Ms. Nikki Maniscalco, associate development manager, The Authors Guild Foundation.

I think the salient detail I took away was in finding a connection with the speakers. Whether through their anecdotes and experiences or with discussions that were enlightening or instructive, discovering these connections became visceral. The connections answer to or affirm my own perceptions, creative risks and even the most profound sentiments I keep close to the proverbial vest. As effective podcasts can be, for me there’s a lot more to glean from such happenings when they’re done in person. There’s an intimacy about gatherings as you hear, see and feel more than just commentary. And in that collective presence, you may pick up emotions inferred or otherwise demonstrated in tone, expressions and body language.

Ms. Janet Dewart Bell, PhD–author, social justice advocate, executive coach & more!

One cannot dodge a glance or ignore a gesture, or miss a light-hearted remark to loosen up a room. As good as podcasts are—and they have an important place in communications and education—being there does make a difference.

David W. Blight–Pulitzer Prize-winning author.

The dinner, served at The Mount: Home of Edith Wharton, was cleverly engaging. Instead of table numbers, the names of authors took their place. Your seat was placed at a designated table which bears the name of the author at the bottom of your name tag [Jean Cocteau] Your actual seat is marked by a small piece of paper with your name handwritten on it.

Each table had a visiting author/writer or playwrite to serve as a moderator. Our discussion started with introductions which quickly morphed into an eclectic blend of reality’s “top stories.” It didn’t take long to connect the dots. To hear one’s writing experience through the years did have a common denominator: persistence. No doubt I’d wager that most of the writers in the room have had to deal with many types of rejection. The cacophony of conversations, the tinkling of flatware against plates and the the intermittent sound of laughter made it clear that many, if not all, enjoyed being in this festival.

If you happen to visit the area, make a point of stopping at The Mount. Bear in mind that Ms. Wharton lived in that home. I marveled at the scale of its history, its art, design and much, much more .

All in all, I appreciated even more, the permanence and accessibility of books. They are tangible, finite in its content and physical features, yet infinitely capable of challenging your imagination and expectations. Such is the attractive symbiosis of humankind and the inanimate. Both are needed to create and sustain history, the arts, the sciences, and the stories that take shape into something palpable.
A lot of my creative and professional work involves digital technologies. The past 2-years have made that more than obvious. Zoom meetings, laptops & desktops, flash drives and the always-on platforms in social media. We can access a myriad of things electronically, online of course, and the ease of that can make astringent our feeling and thinking from engaging in life that’s face-to-face. Books tend to provide the opposite for me. The pages in a novel can transport me to wherever. The sensory experience of turning and feeling pages are the toner that can spark my imagination and involvement in life. Recall Emily Dickinson’s poem, There is No Frigate Like a Book. To me it’s the leitmotif, that binds our imagination through the settings created by writers and authors. And I don’t need an app or device to open books.

As mentioned earlier, the Berkshires is more than a destination; for many, it’s a way of life.

There is no Frigate Like a Book
There is no Frigate like a Book
To take us Lands away,
Nor any Coursers like a Page
Of prancing Poetry –
This Traverse may the poorest take
Without oppress of Toll –
How frugal is the Chariot
That bears a Human soul.
Emily Dickinson

“Switch-Tasking”

Time, energy and focus are 3 KPIs [Key Performance Indicators] for mulitasking. And likely there are other indicators, and for those, I’ll need an ombudsman to help reset my already overloaded brain. In any one of these factors, you either have it, lose it or want it. For the most part, I’d say most people want them all, or to at least hold onto whatever’s in you.

However, multitasking is not really multitasking.

Ms. Nancy Napier, Ph.D. and contributor to Psychology Today identifies it more as “switch-tasking.” For decades we’ve heard that new electronics and computers and software are supposed to help make our professional lives much easier and faster, that’s rarely the case. Many of my marketing projects are open—actually minimized—on my screen. Perhaps “minimizing” those open windows and apps is in actually diluting the strength of your project[s].
Dr. Napier points out switching between projects is counter productive. In fact, it takes a good amount of time and energy to realign your mental details jumping from one open project to another. All of this creates stress [but we already knew that].

As Dr. Napier puts it, multitasking is mentally and physically rough on anyone. The mode of working start-stop-start-stop-restart becomes a catalyst for mistakes, inefficiency and time lost. As the saying goes, “Well, there’s 30-minutes I can’t get back.”

Did you happen to notice the bee in the first photo [the sunflower]? No, well, were you multitasking….excuse me, “switch tasking?”

A Moment, Please.

What a strange, odyssey we are on. Are we in the initial stages of a pre-dystopian epoch? That’s an unnerving take on our tomorrows. I am as guilty as the next for failing to live in the moment. Thus you could–and perhaps should–interrupt my ruminating about the past while also worrying about the future.

No one can undo history and the future is not promised to any of us. So, it’s the here and now, the very present moment where we consciously or rotely go through our lives with purpose or with routine motions of day-to-day life.

Fly fishing for many, for me, is part of life. Time spent on the water delivers familiar notions of preparation, anticipation and the knowledge that the day is, quite frankly, a gift. With all that’s going on in the world, I would say most readers looking at this are doing much better than many others. And having the gift, a day such as being able to go fly fishing is one that should not be taken for granted. Getting to a favorite spot–whether somewhat new or all-too-familiar–jump starts my awareness for the here, for the right now. For those few important things that are usurped by the ephemeral things that entangle us, yes, we all need to live in the present moment!

So, on this Independence Day weekend, take a chance. Make the most of whatever day you have. Any one is a gift. Even when things go awry [I fell into the water moments after releasing this trout!], or not according to plan [I could’ve left the water empty handed but for the wet clothes that chilled me to the bone!] , don’t dwell on what might’ve-could’ve-should’ve happened. That’s done.

I think you’d be much better off acknowledging how far you’ve come.

And for the aspiring fly-fisher, that beautiful brown was caught and released on an an unusually cool late June, mid-morning [10:00 am?].
The details:
o I used a #16 pheasant’s tail nymph I tied with a barbless Partridge hook [unweighted];
o tied to a 5X fluoro tippet about 2-to 2 1/2 -feet in length;
o attached to a tippet ring on a 6-foot furled dacron [?] leader;
o to a 4WF fly line;
o spooled onto a Grey’s cassette reel with #20-backing
o all collaborating with a Winston Biiix 9-foot 4WT fly rod

Analogies

They’re all around us. Analogies are everywhere. This morning several analogies appeared after an overnight snow powdered trees, shrubs and bare ground. There is value in being part of your surroundings, and depending on your frame of mind and mood, the time spent can be cathartic. The morning’s analogies are fleeting, ephemeral. For the most part, the majority are short-lived.

My waking-up-time leaves much to be desired as I totally missed a fiery sunrise. From a window in the dining room, the bold orange and red brushed across the eastern sky is a familiar calling card for this anachronism with a camera. However, by the time I was ready, the sky instead gave me an anticlimactic pale blue. Gone in the blink of an eye.

I’m reminded of the proverb, “He/she [my pronouns] who hesitates is lost.” I had lost my opportunity earlier this morning when I failed to get outside to photograph that spectacular burst of color. This adage comes from playwright Joseph Addison’s play, Cato in 1712, and its adaptation is as universal as any other truism.
I’m not the least bit surprised at the lesson the saying delivers. In an attempt at action and decisiveness, there seems to be a lot of hesitation. And when one hesitates, that window of opportunity often closes in short order.

Hesitation can infer caution just as it can suggest a lack of confidence. For the former, it means we’ve avoided some form of discomfort or harm, as for the latter, I believe that having little confidence is what causes most of us to choose not to do anything. Hesitation–whether in avoiding some perceived element of danger or wanting some level of certainty and sense of purpose–means either choice denies us any affirmation of what could have been.

After several minutes, the snow started falling away. Pine boughs loaded with snow started lifting just as the snow fell. Clumps dropped from many of the trees, the branches were once again dark and monochromatic against the blue sky. It seemed the snow vanished in the blink of an eye. Ultimately everything appeared as they were before: familiar though dark, even mysterious.

The fast-melting snow was like time running its course in the last minute of a hockey game or any other sporting contest. Was there an opportunity early on to change the game’s outcome? Ultimately it comes down to an either or decision. Actually, the third action is not to do anything at all, but the complexity of choosing inaction is an essay for another posting.

I’ve lost count of the moments I hesitated making a decision. Similarly, that count is lost on the moments when I did not hesitate, only to wonder if my action was perhaps just too fast.

Many things go pass us with nothing more than a slight pause of time. Sunrises, sunsets, snow melting, a game played in overtime and so on. Time for me to do something else.

From a Distance

……From a distance
You look like my friend
Even though we are at war.
From a distance
I just cannot comprehend
What all this fighting’s for.
From a distance
There is harmony
And it echoes through the land
And it’s the hope of hopes
It’s the love of loves
It’s the heart of every man
It’s the hope of hopes
It’s the love of loves
This is the song for every man.
God is watching us
God is watching us
God is watching us
From a distance.

Excerpt from the song, “From a Distance” by Julie Gold ©1985*
*Songwriter Julie Gold composed this song when she was working as a secretary at HBO. She wrote during her free time. The song has been covered several times by other artists such as Nanci Griffith and Bette Midler.

On a recent flight home, 2 songs came to mind. An epiphany of sorts became apparent as I looked down on Springfield, Massachusetts and Ski Sundown in New Hartford, Connecticut.

Ski Sundown in New Hartford, Connecticut

In light of the Ukraine-Russia war, it’s not a stretch to understand the effect of distance when watching something from afar. Things are not always as they seem, but up close, enough details emerge to create a clearer picture.
Most of us see what’s happening from a distance, from the safety of our screens playing out “breaking news” of the terror and the maddening reality of one country imposing its incorrigible intentions on an independent nation.

At altitude, it’s easy to “not see” the actualities of what’s coming and going at ground level. And yet what impacts me the most is how the innocents and defenders suffer and die, of how the children struggle to understand this detestation that arrived from nowhere. Modern journalism can report events as visceral and undiluted, anywhere at anytime. In that sense, we see more than what we want to.

I leave this post with the words Enjolras sang during the scene At the Barricades, from the musical, Les Miserables.

Do you hear the people sing?
Singing a song of angry men?
It is the music of a people
Who will not be slaves again.

When the beating of your heart
Echoes the beating of the drums.
There is a life about to start
When tomorrow comes.

Les Miserables by Victor Hugo
Les Miserables, the London Musical, trademarked by Cameron Macintosh Overseas.

Cold Light

I am an odd person out. I’m certain I shared this in a previous post, namely that winter, the shorter days, the snow and the cold don’t bother me the way I know it really bothers a lot of other people. However, when freezing rain, relentless winds from the north and sleet show up, doubts perk up about my relationship with winter.
My enjoyment of this season is greatly enhanced by a few other small details: no biting insects, most nasty smells are frozen in place, it’s easier to layer up to stay warm versus shedding attire to get cool. Fireplaces are invaluable for the way they comfort our weary minds and bodies.
And then there’s the light. By late October, shorter days manifest that longing for days that end at 9:30 in the evening, versus 4:15 in the afternoon. But for me on any given day, winter light can be nothing short of amazing [well, to my eyes anyway].

For those enamored with snow, it doesn’t matter how you enjoy it, just as long as you get out to enjoy it. Snowshoes. Boards. Skis [alpine and cross country]. Insulated tie-up boots [aka “moon boots”]. Building snow forts, a snowman/woman/sculpture. Tubes, sleds, and toboggans. They all generate smiles at one time or another.

Even the most ardent worshipper of other seasons can understand why winter can be a favorite. There’s a sense of solitude, even in the busiest of urban environments. Indeed most folks are rushing—as it’s often said—to get out of the cold, to get inside to warm up. And yet there are those who look to get out to be invigorated by the cold air. When it’s cold, it’s only natural that you move to stay warm: motion generates heat and heat consumes calories and the consumption of calories means soothing cups of hot coffee, hot chocolate, hot soup, hot tea among other choices awaiting your selection. Admittedly, it is bliss having such hot consumables balance out the chill at the end of a day. The yin-yang of warm & cold becomes apparent.

A cold drink can bookend a hot summer day just as a hot toddy can on a cold winter day. This radiating cocktail of hot water, lemon, honey and a bit of whiskey is also hydrating, indeed soothing since it’s a drink perfect for sipping.

Cold light, winter light, is especially sharp when it reaches across a landscape as far as you can see. The shadows are longer and details stand out like bas-relief etched into tree trunks. On ski trails, the tendrils left by carving skis add to that dimension of depth, or even height, as if lengths of dark thread randomly lie atop the snow.

Winter’s light—especially later in the day—can feel cathartic and the sun’s warmth enhances this catharsis. A cup of hot chocolate, a banana, a comfy, large Maine Adirondack chair and a pit fire are all good company.

Cleansing Breaths

A benefit of changing seasons is precisely that: change. Here in New England, the 4 seasons do more than adjust amounts of daylight, colors of sunrise and sunset, the appearance/disappearance of flora, the transitions of both diurnal and nocturnal activities, owing in part to the amount of daylight/nightlight available for particular pursuits from tennis to star gazing. The change in seasons are as much physical as they are metaphysical, philosophical and experiential. The seasons are what you make them to be.

Often my cleansing breaths are interpreted as sighs of disappointment, or relief, a reaction to someone or something that gives purchase to both feelings. Since the arrival of Covid, I’ve made a conscious effort to use more cleansing breaths. I’m reminding myself there are far worse things to be disappointed with, and using some calming behaviors can make a difference.

The benefits of regularly using cleansing breaths has a way of taking edges off of things [vis a vis, the stress produced by today’s level of uncertainty]. Deep breaths and exhales do have physical and mental benefits. Gentle stretches [another cleansing breath, please] coupled with a proactive mindset that focuses on out with the bad, and in with the good has a lasting effect on our overall demeanor.

By extension, whenever I see a changing sky—especially one with clouds or on windy days—I attribute these shifts of clouds and air to cleansing breaths. However these are done by Mother Nature on behalf of our troubled planet. Earth is having a hard time rejuvenating much of what humankind has taken for granted, even wasted or destroyed.

Whenever I’m out and about, feeling that need for solitude and distraction-free thinking, I load up on cleansing breaths and allow myself the chance to attain “groundedness” a term, I believe, coined by Stephen Hayes, Ph.D., professor of psychology at the University of Nevada. To avoid any confusion, I’ll merely say that attaining a semblance of groundedness means accepting and facing the here and now [however uncomfortable], and to make a commitment or shift of working on things that can mentally/emotionally help you.

The simplest example I can think of is this feeling or acceptance that one’s worklife/career is a dead end and wouldn’t be a dead end if the company your worked for was “better.” There are a myriad of other reasons to choose from. Instead of losing yourself and using up energy on this discontent, nurture a way to make yourself stand out. This isn’t about writing the great American novel or closing on a stupendous sale; it’s more in the line of working from your known strengths to optimize your “here-and-now” going forward.

Now, before you do anything else, take that cleansing breath….

Catskills

There are several places I always look forward to visiting. The Catskills is one of those places. Marketers have positioned it a number of ways, two which I can refer to: the first being that author Mr. Washington Irving created a mystical dimension about these mountains and valleys as demonstrated in two of his works, Rip Van Winkle and The Legend of Sleeping Hollow. The second is that these same mountains are the birth place of American fly-fishing, this, toward the end of the 19th century.

The eponymous short story tells the tale of Rip Van Winkle, who after accepting a drink or drinks from other Dutchmen, went into a deep slumber. A twenty year slumber at that. And to think that suspended animation had yet to be imagined. Like Irving’s other short story, The Legend of Sleeping Hollow, there’s no denying the intrigue and fascination with the dark arts as it were, an ethereal construct of feeling displaced, out of touch and powerless. The spells, debauchery and intrigue hold the reader captive, and the Catskills is both crucible and container to the kind of narrative that keeps young and old awake at night.

Along the roadways that weave up and down and around these mountains you’ll see places with names like The Washington Irving Inn, Sleepy Hollow Mercantile, Rip Van Winkle Golf, etc. etc. From eateries to where locals meet and catch up on recent news, to bed and breakfast attractions, there are many hints at Catskills history and folklore.

As for the fly-fishing, there’s enough rivers and streams to keep you occupied. Certainly there’s enough real estate to get you lost as well or put another way, give you solitude and quiet like no other in the northeast. I’m told that Mr. Theodore Gordon is the one credited for starting American fly-fishing in the 1890s. This feeling of where fly-fishing started in the USA is supported by a smattering of fly shops and other related businesses, several found close to the rivers. For many die-hard enthusiasts, these are sirens that are as strong as the waters and fish that beckon us to get our fly lines in the water.

Covid has altered some of our pursuits, but it hasn’t put a dent on my love or time in the outdoors. Factor in the openness and scale of outside and one can understand the fascination, the desire to get up and out of the house/office and do something for yourself or for perhaps someone else. It’s rare to see another person here in the Catskills or in other wooded areas I’ve been in. Social distancing is a non-issue. In our uncertain world, being wrapped in the outdoors is invigorating and yes, even fulfilling.

Space

I am convinced that modern life has boxed us in more so than we’d like. It’s part of the contemporary territory which includes both our professional and personal lives. There’s a surfeit of information, misinformation as well as disinformation. We have data that’s important, partially accurate or altogether inaccurate, the latter done purposely in order to deceive and create confusion.

The spaces outside and within our mind are under siege. This coronavirus pandemic has produced a variety of empty spaces in the form of closed businesses, a void born from a lost loved one, an even larger, emptiness created by becoming unemployed and losing our face-to-face social connections with friends and family.
In addition we see meadows, forests and even arable acres, reshaped with new developments, new businesses, and right-of-way passages for utilities. These spaces, like others, will never resemble their former selves.

The modern mind is challenged with the illusory nature of augmented realities, misinterpreted online interactions, the CGI creations readily seen on the big and small screen and so on. I would wager that ruminating is a regular mental exercise for many, in ways that even the thinker didn’t think possible in the here and now.
It’s not that such spaces are wanting for content. Some of the content in our heads is twisted and distorted, an unattractive morass of schadenfreude and unforgiving defenestrations toward those with authority, power and privilege.

A lot of good space has been replaced with some nasty creations, tangible and intangible, palpable and even unreasonable.
We’re better than a lot of this, each of us capable of individual betterment. I remind myself in my own spaces of thinking and feeling that, at times it’s okay to be embarrassed in one’s journey to be genuine. I think it aids my ability to acknowledge what occupies my internal and external spaces other than what’s so obvious not only to myself, but to others.
As in marketing, perception is reality: it’s not what you’re getting, but what you think you’re getting.

Color

Autumn is my favorite season for a variety of reasons: the cooler, drier air is both invigorating and refreshing, the quality of light is remarkable, at times appearing clearer on even overcast days. Even time feels slower with a more gentle cadence though by mid-November, I wonder how it went by so quickly. Certainly it goes without saying that the foliage change can be magical, even personally restorative.

Many years ago, I attended a photojournalism workshop at what was then called The Maine Photographic Workshops in Camden, now known as Maine Media Workshop located in Rockport, a mere stone’s throw from Camden. Located half-way up the coast of Maine, the town of Camden sits next to Penobscot Bay. I haven’t been back since, so I hope it hasn’t lost its New England charm. It was quaint, quiet and photogenic to be sure.
You can glean techniques and technical knowledge from more places today than back then [now a surfeit of info sits on the web]. Convenience is nice, but for me, being engaged with a like-minded person is all the more rewarding. Levels of inspiration come to me when I visit an exhibition, a gallery or listen to or converse with a speaker whose work clearly validates that person’s passion for his/her choices.

I was fortunate to have heard and seen in person Jay Maisel, Ernst Haas and Dick Durrance. Titans of their craft, I learned more than just technique, but a whole lot more about this passion to see things in a new way, to transcend the connections of light, color, subject, interpretation and meaning. My brain needed to do some real lifting and learning, and was thus able to do so when my soul became the catalyst to assist with that lifting and learning.

I like to think of seasonal transitions as a form of recalibration. It’s more than a reset, because to reset anything is effectively returning to its default state. Recalibration is a nuance in alignment. If I’m not sure of what I’m feeling when I look through a viewfinder, I move a few or more steps to one side or another, as well as toward or away from my subject. Recalibrating.

There are similarities in writing, but they’re a bigger challenge for me to describe. I suppose the very title of this post lends itself to recalibrating: adjust the “color” of your words such as tone, passive versus active voice, even a tweak in aliteration to keep your narrative—and your thinking—interesting.

Autumn just doesn’t land here in the northeast; when it does arrive it’s akin to that sense of belonging, of knowing that your journey—in spite of personal hills and valleys—continues with the expected and as well as the unexpected. I like all the seasons, but fall is the one which captures the zeitgeist of the rest of the calendar. It’s a short period of time, that in its most fundamental form, feels like the comfort food that’s been sorely missing for more than half the year.