With a pen and camera
“It’s not what you get, but what you think you’re getting…” Carlo Centeno
I‘ve said and used that one epigram countless times when teaching, when conveying nuances about branding, attribute positioning and when attempting to make sense of features and benefits not only in marketing, but across all that is Life, mine and others.
The holidays are tough for many. I’m not alone in this. Funny how art, music, literature, et al have a way of refocusing one’s POV. That POV may be for one moment, but it’s enough to shake you and pull yourself together to help find the best things within the moment at hand. And “best” does not have to be anything grandiose; small gems can be just as grand.
So on those days, when I think I’m getting blasted by the commercial beasts of the season, I remind myself of my aphorism above and recall the lyrics to this song, “Watching the River Run,” a timeless salve created by Kenny Loggins and Jim Messina.
If you’ve been thinkin’ you were all that you’ve got
Then don’t feel alone anymore
‘Cause when we’re together then you’ve got a lot
‘Cause I am the river and you are the shore
And it goes on and on, watching the river run
Further and further from things that we’ve done
Leaving them one by one
And we have just begun, watching the river run
Listening and learning and yearning to run, river, run
Winding and swirling and dancing along
We passed by the old willow tree
Where lovers caress as we sing them our song,
Rejoicing together when we greet the sea
And it goes on and on, watching the river run
Further and further from things that we’ve done
Leaving them one by one
And we have just begun, watching the river run
Listening and learning and yearning to run, river, run
I think I’ve seen just about everything this election year. It won’t get the best of me in spite of it. So, after conferring with my buddy, Humphrey, we determined that he is another option for the ballot. Humphs may not have fluency in diplo-speak and he doesn’t speak from both sides of his mouth [jaw?], but he will be honest about things…and you will know it.
Spread the word. You’ll feel in the dumps, if you don’t vote for Humphs!
Ferrari. What comes to mind other than the obvious. Luxury? Exclusivity? Formula 1? Art? Engineering? History? Passion and Soul? You can add your own to the list. For as long as I can remember, I’ve felt that many things designed and made in Italy were objects in possession of a soul. From appliances, cuisine and fashion to industrial design, mechanical engineering and art, Italy’s portfolio of world-renowned brands are the stuff of dreams and much more. However, there is one brand that has an aura all its own, one that’s genuinely global in scale and scope.
Between the poles and across the hemispheres, no other brand stirs as much passion, approval, loyalty and emotional ownership. When Enzo Ferrari created his eponymous company, he put into motion more than a company. Ambition, passion, problem-solving and yes, art, were made manifest in his cars, first in racing, then in street-legal sports and GT cars.
What factors played into the creation of Ferrari, the brand?
Passion This is a must-have, a non-negotiable intangible that’s expressed in determination, faith in oneself, desire and ambition.
History There are no overnight successes. Powerful brands have a narrative. Properly framed [read: small beginnings to small victories to world-wide success], Ferrari took to heart his mission to produce race cars that were designed to win AND deliver an aesthetic unlike others on the track. Certainly this mission carried over to street cars. Ferrari’s history is important to the brand’s mystique and attractiveness; the company smartly uses history to enhance its position in the exotic car market.
Standing Out Powerful brands deliver consistency and a promise on quality. Not to be flip, but early on, Ferraris weren’t consistent with quality and reliability. However that has changed. In just the past 20 years, they’ve produced products that are wholly different from other sports cars. One thing is certain, when you see a Ferrari, it does stand out. If you’re fortunate to drive one, its performance also stands out across a variety of areas [acceleration, braking, steering, sounds from the engine bay and exhaust pipes and so on]. Proper positioning is part of standing out and the company manages this extremely well.
Value You can successfully argue that no one needs a Ferrari [or anything that speaks of luxury, for that matter]. The brand’s real value goes beyond the sticker. Emotional ownership and exclusivity fuels value; the sticker price reinforces limited production quantities as well. Ferrari markets its brand through careful licensing, merchandising, events and affiliations. Put another way, mortals like us can still feel part of the Ferrari brand, mystic and experience. Their online store demonstrates this because it promotes a sense of inclusion: we can’t afford the cars, but we can feel and show our admiration for the brand via jackets, bas, mugs, watches, caps, T-shirts, office accessories and more.

Some call it a creative block. With credit to Franz Kafka, I feel a lot like a chrysalis because there’s something in me dying to get out, to be expressed and heard. How many times have we sat [or stood] at our work stations wondering how-in-$%@!!-name can we get something done. Where are the words, the concepts, the visual elements that when properly assembled, delivers the key message? The message can be one of benefit, of productivity, of prophylaxis, or of exclusivity. You get the idea.
Of course, all of this is figurative, but I would say that the photo of the tunnel suggests that I can see a “way out,” but I’m a bit unsure of how to get there. I’m inside the chrysalis, evolving, developing a collection of ideas, hoping to create something altogether different if not unique.
The wife-husband duo of Alaina Moore and Patrick Riley are the indie pop group, Tennis. The music and lyrics to “My Better Self” is a heart-felt, rhythmic poem about several things, not the least being how we struggle with words to bring clarity to how and what we feel. This is my favorite stanza, which also happens to be the bridge of the song:
If I don’t use words
Then each sound goes unheard
Utterly senseless without nouns and verbs
But symbols suggest they are fit to possess
A purposely function
That cannot be met
Copyright-All Rights Reserved, Alaina Moore and Patrick Riley
These 2 photographs were taken before many millennials were born. They were taken with a Nikon F with a Nikkor 50mm f/1.4, using TRI-X film 400, sometime in the fall of 1973. I suspect that these 2 views are probably different today, and I dare not visit the space for fear that in their place will be condos or parkways or other concrete manifestations that tend to mute my sense of self.
One of the most enjoyable aspects of the summer are nights on a quiet beach.
I’ve seen people fish, practice yoga, walk or run—sometimes with a dog—but the one activity I enjoy is the calm associated with doing nothing. The “nothing” I savor has more to do with my surroundings. This may sound oh so simplistic, but you haven’t lived until you’ve spent a late night on a moon-filled evening, at a beach where the sounds and smells of ocean, the wind and even an open fire embrace you.
It’s even nicer when you share such moments with people you care about…