The Power of the Pen, the Permanence of Paper

“The sending of a letter constitutes a magic grasp upon the future.”
Iris Murdock, CBE, DBE. Irish-born, British philosopher & novelist

“In our letters, we are recollecting and conversing with the soul, through both our friends and ourselves.”
Thomas Moore Irish writer, social philosopher and in his lifetime, regarded as “Ireland’s national bard.”

“There is something special about holding a hand written letter. It carries the essence of the writer.” Jane Austen

I would suspect that the majority of readers who come across my blog do not write with a fountain pen. Not unusual and it’s okay. That’s just a factoid of our technology epoch. It’s been written that many are far more familiar with a screen, a QWERTY keyboard and now the exponential growth of AI. An observation, as well as a dirge, for the sentience and engagement of a communication method that some find impractical and inefficient.

Yet on any given day or evening, I’m not far from paper and a pen filled with royal blue ink, ink drawn from a bottle and into a pen barrel via its nib and the piston residing in that barrel. Archaic, perhaps, yet some believe such things are unnecessary for our current state of living. What about the state of your life and the qualities that define its value…?

A frequent criticism is that using such a writing instrument is too slow, to use and get used to. Put another way, this is a communication method that requires your patience, your willingness to engage both mind and heart over a period of time. Handwriting is the articulation of thinking, learning, feeling and so much more.

I would be remiss if I did not include some of the toils in finding the right paper and ink that adds to the fascination of such a timeless way of expression. These 2 items are just part of the discovery process, one which needs your attention as you gain familiarity and traction to fountain pens, inks, types of paper and of course, writing. With a nod to digital technology, researching pens, paper and ink is far easier now than it has ever been.

Writing with ink and paper is slow, certainly slower compared to the speed in which we talk; and even that is a lot slower than our brains when we’re processing just about anything we can think of. Writing slowly does not correlate to slow thinking. Such writing encompasses thoughtful pauses, an examination of those and adjacent thoughts, whether abstract or tangible, even working to make what was just put to paper more lucid for anyone–including myself–to grasp.

If you’ve come this far, you might have wondered about the “Permanence in Paper” notion in the essay’s title. Paper and the writing it holds can survive over a long period of time. But I wonder about some of those pages bound or bundled together for centuries. Egyptian manuscripts written on Papyrus are some of the oldest known individual texts in existence. Their scrolls go back c. 2500 BCE, whereas paper in its earliest form appeared in China c. 105 CE. [Note: BCE stands for Before Common Era and CE represents Common Era. These are the secular versions of Before Christ (BC) and After Christ/Anno Domini].

I think of times in history when handwritten correspondence was the perhaps the most confident way to connect. I visualize piles of envelopes each with a letter, a notice or alert, even a photograph among other possibilities. There were many, many things in those letters, rote and topical. There was the weight of loss and longing, of anticipation and impatience, of a happiness that seems forever in arriving, or the gravity of profound grief relentless in its hold of sadness, regret and helplessness.

Books have been written describing letters that have been exchanged. John and Abigail Smith Adams regularly wrote to each other. They were well ahead of their time as they were reciprocal to each other for support and encouragement and more. Think of this: more than once, Mr. Adams stated in his letters that Ms. Adams was his “dearest partner” and a “stateswoman” worthy to be among the most astute of advisors and confidantes.

Queen Elizabeth 1 wrote upwards of “3,000 plus letters to her oldest daughter.” President Lincoln’s “letter to Widow Bixby” is as empathetic and demonstrative of any condolence letter addressing a mother’s loss. The King of Sweden, Gustav Vasa [1523-1560] wrote at least 1,000 letters according to records; the quantity filled 29 books.

Then there are the epistolary writers who crafted letter writing from letters available to the public. Their constructs of referring to letters within a story or a novel carried some significance to the protagonists, society, an ideal, a scandal and so on. Authors Mary Shelley [Frankenstein] and Bram Stoker [Dracula] were epistolary writers. They used letters as a vehicle to convey everything from discovery to fear, to hope and love. And to think that their stories with these references of hand written letters have to this day, remain relevant and thought provoking.

For those who already do as I do with pen and paper, well they know a few positives associated with this old-school way of communicating: for starters, no special apps or electronics are required.

Return to terra firma. A few pointers

  • Practically speaking, if this is your first foray, or re-entry to FP writing after a long sabbatical, you do not need a costly [above $25. USD] pen. You can obtain a fountain pen at a lower cost, but you get what you pay for. To start, select a universally adequate Medium nib. Nibs are made with steel or gold. Steel is more durable and gold has a feel all its own. The pen should come with a converter with the option of using universal ink cartridges. Color ink? That’s up to you.
  • Speaking of ink, the easiest brand [at least around here] anyway is a ubiquitous bottle of Parker “Quink” in black, blue-black or royal blue. I believe all but the black is water & spot-cleaner soluble in combination. Parker offers cartridges as well, useful when traveling and potentially not as messy as carrying bottled ink. The Parker cartridges are made for use in Parker pens, however, you can also use universal ink cartridges, which are shorter in length and just as functional as any other.
  • Paper. For initial practice, copy paper works, but it’s not ideal. You may experience blotching [when the paper sucks ink out of the pen creating spots]. And/or feathering, which is when the lines that make up your letters show tiny “feathers” coming from the main line that defines your letters. Ultimately, this will take some trial and error. Paperworks has a special sale of letter sized paper that may do the trick. Look for samplers that offer sheets of different weight papers. I cut these sheets in half and have a faux-Monarch size sheet I use for letters.
  • Etsy has a number of papers as well. Names such as Clairefontaine and Tomeo [fantastic quality from Japan] are just 2 of other manufacturers that offer incredible papers. I do recommend you stay with smooth finished sheets versus sheets that have texture. Trust me on that one suggestion. A smooth surface is more forgiving than one that has texture. Goulet Pens has a complete section/tab on everything that has to do with fountain pens, inks, nibs, paper et al.
  • You can also create your own personalized cards, letters and envelopes using an embossing stamp. I use one for my return address on the flap of the envelope and the second I use to emboss my name at the “header” area at the top of my letter.

Here’s another resource that you may find useful in your journey:

https://epica.com/blogs/articles-by-epica/putting-pen-to-paper

Final thoughts

Establish a schedule to write. Get yourself a journal and consider writing anything that comes to mind. A letter to your adolescent self or your current and future selves; notes about the _[skill]_in you that you want to improve. Essentially marry your thoughts to the fine motor skills that are important to clear writing. Legible writing is one thing, while illegible writing is but stepping stone that can lead you to letters, words, sentences and more with a character that’s yours and yours alone. Like learning an instrument, to be good at it, you need to have a plan, and you need to set aside time to make it work.

When you’re all in, the writing activity goes beyond movements of your wrist. Remember it’s your writing arm that carries the energy required to move synchronously across the paper & table top. Using your entire arm is necessary because it encourages good coordination and a focus. Another benefit is the wrist won’t do all the work, which means less repetitive stress to all those small tendons and cartilage, etc.

Left handers can fountain pen their way on & across paper. Take a look at scriveiner.com which contains a good amount of helpful details on what to look for.

Finally, I leave you with perhaps the wisest sentence in this top-heavy tome of questionable relevance:

If people cannot write well, they cannot think well, and if they cannot think well, others will do their thinking for them”.  George Orwell

Discovering Creativity in Art: A Personal Experience

When you’re bogged down with writer’s block, creative fog, even brain freeze, what do you do to break free from its hold? Here’s one way to purge the hive of such impediments. Go to an opening, an art exhibit, perhaps one which deals in a medium that you know little of. In my case, think fabrics, paper and ceramics and other materials—either in combination—or crafted exclusively with fabric. An oversimplification, but a few photos can better illustrate the creations displayed at the exhibit, Beauty is Resistance, our Fall Art in the Barn Exhibtion. I was impressed with the inventiveness, originality, concept development, creativity, and overall execution of the various pieces.

At browngrotta arts, co-curators Tom Grotta and Rhonda Brown have managed original art, crafted by internationally recognized artists for more than 3 decades. My “introduction” to the pieces of art at this exhibit was an A-1 engagement of diminishing my brain fog, creative block and so on. Neither words nor photos can describe the pieces. This is a case of what I actually see and feel is amazing, because of what is physically in front of me. A demonstrative be-in-the-moment activity, to say the least.
So, please take a moment to peruse a small sampling of what was on display.

A special thank you to Tom Grotta and Rhonda Brown for their hospitality and sharing their knowledge about the artists, the scope of this exhibit and their anecdotes of life in international Art. Photography: courtesy of Tom Grotta. All rights for the images and the Art are those of the artists.

Home artist Lija Rage; mixed media, wooden sticks, linen and copper [2-panels; detail shown in second image].

From Chaos to Reality artist Aleksandra Stoyanov; sisal, cotton

Shred dollar artist Chris Drury; US currency [detail shown below]

Female Husk II artist Anda Klancic; torso [from Momento Mori composition] with cone; palm tree bark, synthetic filament, acrylic, and metal wire

Ce qu’il en reste IX artist Stephanie Jacques; willow, gesso, linen thread

Flower Colors artist Mary Merkel-Hess; paper, cord, paper

Rhonda Brown co-curator

Tom Grotta co-curator

Photography a professional photographer, Tom Grotta created a display showcasing some of the literature and gear he has used through his ongoing career.

Late Bloomers

With all due respect to prodigies, I’ve looked at the histories of a variety of late bloomers, some familiar in stature, and of course others whom I’ve never heard of.

Let’s start with an author I think many readers will recognize: Bram Stoker. Yes, THE Bram Stoker, author of Dracula. Prior to the publication of his novel, Stoker worked at various jobs, the longest being that of a personal assistant and manager to noted stage actor, Sir Henry Irving. BTW, he was the first entertainer to be knighted for his contribution to theatre. This friendship started in 1896, when Stoker wrote a glowing review of Irving’s performance in a play. For about 20 years, he managed his affairs, tended to his day-to-day schedules and demands. The following year, Bram Stoker penned his literary masterpiece, Dracula.

When Irving read the novel, he thought little of it, even more so when Stoker thought his friend would take the lead role in a stage version of Dracula. Biographer Barbara Belford‘s book, Bram Stoker and the Man who was Dracula surmised that Stoker’s anti-hero was based on the conceited, self-absorbed, unpleasant person that was Irving. Irving’s pernicious behavior was relentless, and yet Stoker somehow prevailed. Irving’s repudiation of Dracula was his biggest loss, a loss forged in the theatrical history of the late 19th century.
Bram Stoker was 50 years old when he penned Dracula

For the sake of brevity, the rest to follow will be brief.

TONI MORRISON

Toni Morrison, an American writer was a long-time literature professor as well as an editor for Random House. Literature meant a lot to here; she is well recognized for her writing of the life experiences of Black women and life in the U.S.
She was 39 years old when she published her first book, The Bluest Eyes in 1970. Here second novel, Sula, was nominated for the American Book Award.
Morrison received the Pulitzer Prize for Beloved in 1987 and in 1993, she was the first Black woman to receive the Nobel Prize for Literature.

FRANK McCOURT

McCourt’s first book was published when he was 66 years old. Angela’s Ashes won the Pulitzer Prize for autobiography/biography in 1997. The memoir was also recognized with the National Book Critics Award, the LA Times Book Award and the Exclusive Books Boeke Prize to first time novelists.

GRANDMA MOSES (Anna Mary Robertson Moses)


Ms. Moses was a celebrated American painter. She was noted for her needlework however, arthritis jettisoned that activity. Ms. Moses started painting at the age of 75. Her nostalgic style and depictions of rural life caught the attention of a collector and others, including large department stores who wanted to exhibit her work. Internationally, her work gained the interest of storied museums and galleries. A symbol of life in rural America, she passed away at 101, at the zenith of her painting creativity.

LAURA INGALLS WILDER

Laura Ingalls Wilder was a teacher, journalist, writer & columnist. Her life experiences were the subject material for her books, collectively a tome of perseverance, hardship and the challenges of farm life .She started writing her book series, Little House on the Prairie, when she was in her 60s. That first book, Little House in the Big Woods, was about her childhood. The Little house on the Prairie was Wilder’s eponymous version that proved popular in many TV households.

VERA WANG

Vera Wang had a successful career as a journalist and figure skater, but in her 40s, she started what would become a fashion empire that encompassed haute couture, high-end wedding gowns and licensed beauty products and home accessories.

NORMAN MACLEAN

I can identify with this individual: lover of writing, literature and fly fishing. An English professor, Dr. Maclean attended Dartmouth College and earned his Ph.D. at the University of Chicago where he taught for 47 years until his retirement in 1973. His most celebrated, and only book, A River Runs Through It, was published in 1976.
He was 74 years old.

SALLY KRAWCHECK

Already a success on Wall Street, Krawcheck has long known that women clients were underserved by the wealth & financial management industry. She sensed that many women were not part of the discussions pertinent to financial management and more. So, she opened her own firm: Ellevest. She was 52 when she started her company that catered to women.

COLONEL SANDERS

A creative thinker, relentless believer, and one who demonstrated an enduring persistence, Harland Sanders is forever known as the southern gentleman who reinvented “home-cooked” southern-style chicken.
Colonel Sanders was in his 60s when he finally achieved his renowned chicken recipe and his first Kentucky Fried Chicken franchise.

And there are so many others. If you’d like to share your short list, drop me a note. Thank you!